This is the third in the five-yearly series of surveys of what is happening in rock art studies around the world. As always, the texts reflect something of the great differences in approach and emphasis that exist in different regions. The volume presents examples from Europe, Asia, Africa, and the New World. During the period in question, 1999 to 2004, there have been few major events, although in the field of Pleistocene art many new discoveries have been made, and a new country added to the select list of those with Ice Age cave art. Some regions such as North Africa and the former USSR have seen a tremendous amount of activity, focusing not only on recording but also on chronology, and the conservation of sites. With the global increase of tourism, the management of rock art sites that are accessible to the public is a theme of ever-growing importance.

This is the fourth in the five-yearly series of surveys of what is happening in rock art studies around the world. The aims are to present a synthesis of the status of rock art research in different regions of the world, provide information about recent projects, publications, prevailing research objectives and methods, and enable rock art researchers to relate their findings in a specific region to mainstream research results. As always, the texts reflect something of the great differences in approach and emphasis that exist in different regions, presenting examples from Europe, Asia, Africa, and the New World. Not all rock art areas are covered but some of the gaps in previous volumes have been filled. Papers consider the distribution of sites, chronology, interpretation, new surveys and publications, management and site conservation. Rock art studies are going through a period of scientific and technological development which will have an enormous impact on the quality of recording and dissemination. At the same time, many authors are concerned by problems of preservation and vandalism, and underline the crucial importance of educating local people, and the young, about the importance of this fragile and finite heritage. This aspect too will be of increasing importance in years to come.

While significant advances have been made in direct dating French and Spanish rock art, direct dates obtained by AMS for the New World are extremely scarce and existing stylistic chronologies cannot be trusted. These papers from the International Rock Art Congress held in Bolivia in 1997 focus in the dating problem. They also reflect discussion of the earliest art in the light of recent research and as seen from a world palaeo-art perspective.

Rock Art Studies: News of the World VI, like the previous editions in the series, covers rock art research and management all over the world over a five-year period, in this case, the years 2015 to 2019 inclusive. The current volume once again shows the wide variety of approaches that have been taken in different parts of the world and reflects the expansion and diversification of perspectives and research questions. One constant has been the impact of new techniques of recording rock art. This is especially evident in the realm of computer enhancement of the frequently faded and weathered rock imagery. As has been the case in past volumes, this collection of papers includes all of the latest discoveries, including in areas hitherto not known to contain rock art. While relatively little has happened in some areas, a great deal has occurred in others. Rock art studies continue to go through a period of intense scientific and technological development, but at the same time - due to the problems of preservation and vandalism - it is crucial to educate local people and the young about the importance of this fragile heritage.

This is the fifth volume in the series Rock Art Studies: News of the World. Like the previous editions, it covers rock art research and management across the globe over a five-year period, in this case the years 2010 to 2014 inclusive. The current volume once again shows the wide variety of approaches that have been taken in different parts of the world, although one constant has been the impact of new techniques of recording rock art. This is especially evident in the realm of computer enhancement of the frequently faded and weathered rock imagery that is the subject of our study. As has been the case in past volumes, this collection of papers includes all of the latest discoveries, including in areas hitherto not known to contain rock art. The latest dating research reported in this fifth volume, sometimes returning surprisingly early results, serves to extend our knowledge of the age of rock art as well as highlight the limits of current models for its development around the world.